I walk tar-chipped roads
past rotting logs
and thick, chokecherry
groves to the field
by Miller’s Pond.
Within the green and blue
echoing world of
cornstalks and sky, I’m lost.
Lost, but certain that
corn will end—sure
of stirring switchgrass,
wild bergamot,
milkweed and prairie dock
next to stone-stairs
that lead to tarnished
steel.
My
childhood
train-bridge looms, and
once again I’m small,
looking skyward towards
graffiti and rust.
I want the view to be the
same: brick homes
missing shingles, sun-scorched
corn, tracks
edged in brush, paint-peeled
factories
and windswept oaks.
Last time, I climbed this bridge
to say goodbye. But now, planting my feet
on crumbled steel, I need
both black and white—
both tar and Queen Anne’s Lace,
timeworn brick
and cloudless sky, the rust beside new blooms.
and cloudless sky, the rust beside new blooms.
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